Station at Gleisdreieck, Berlin
18.09. – 21.09.2014
With its innovative, artist-centred format, abc
is consciously focused on artistic practice. Each invited gallery is specifically asked to realise a single position of contemporary art. Around 110 galleries – both young and established, national and international – will present mainly new works and premieres. This year abc will also be reinforced by a packed calendar of performances, artists talks, sound pieces, films and theatre productions across the entire site.
Credits: Christian Jankowski, Photo: Marco Funke | Charlotte Posenenske, Mathieu Mercier, Douglas Coupland; Photos: Stefan Korte
18.09. – 01.11.2014
Since the 1960's and 70’s, Marc Camille Chaimowicz has been well known for his extensive installations, which operate in the space between performance and installation, and challenge the borders between art and life. At Galerie NEU
's gallery space at Linienstrasse in Berlin-Mitte, the artist has developed an extensive installation where 40 specially designed and produced vases will be combined with 40 canary birds. Paintings, drawings and sculpture will also be on view, together with works by Manfred Pernice and Klara Lidén, who have also been invited to participate in the exhibition.
Credit: Marc Camille Chaimowicz, Forty and Forty, Courtesy the artist and Galerie NEU, Berlin
18.09. – 01.11.2014
Mike Bouchet’s large-scale paintings demonstrate how our cultural climate is ruled by the bewitching mixed signal known as the “double blind”. In the nineteen-fifties, English Anthropologist Gregory Bateson coined this phrase to describe how conflicting messages can render over-stimulated individuals vulnerable to coercion. Concomitant, for Mike Bouchet, popular entertainment and global consumer brands are powerful perpetuators of such clashing, mind-controlling communications. For Power Lunch
at Peres Projects
he isolated a particularly influential branch from our ubiquitous pop-culture cacophony — the movie poster — to illustrate the tensions, escape fantasies, conflicts, erotic stimulation and power of this popular form of mass-media imagery: his orderly canvases are composed from images of actual movie-posters to form jarring juxtapositions. As he is transforming back the source material into a new image, keeping psychological weight, but with its original agenda obcscured, Bouchet’s painting technique is also rife with rich conflicts. He outsources production to professional painting firms in the Far East, forcing a conceptual tie between unique canvases and global mass-marketed consumer “fast” culture. On the most visceral level, this is the “double bind” that viewers experience when encountering Bouchet’s works. Paradoxically and jarringly, the nearer viewers get while examining Bouchet’s paintings, the more confusing and compelling they become, a metaphor which can be applied just as effectively to the original source material, as well as to the cultural realities which they embody.
Buchmann Galerie, Mehdi Chouakri
12.09. – 01.11.2014
Ranging from large-format pictures to paintings and drawings, Buchmann Galerie
and Mehdi Chouakri
will simultaneously be showing works by late Swiss artist Martin Disler, for the first time. In cooperation with Martin Disler's estate, works dating from 1979 to the end of the 1980s will be presented, from the years in which Disler’s expressive painting evolved. Often associated with the painting movement of the 1980‘s, the self-taught artist worked on his drawings, paintings, prints and sculptures, driven by an incessant creativity. Tirelessly he explored new materials and shapes. An important factor in Martin Disler’s illusion-free vision of the condition humane
, the anticipation of death permeates his entire oeuvre, as do moments of great hunger for life. Some of his pictures are shaped by eruptive gestures, others use movements that are gentle and controlled. Shaped by mysteriously oppressive motifs, the artist expresses emotions and a sense of body directly on the canvas. In addition to his artistic endeavours, Martin Disler wrote deeply evocative literary texts. He provided texts for over a dozen artist books, published the novel 'Bilder vom Maler' (Pictures of the painter) in 1980, and the book 'Die Versuchung des Malers' (The Painter's Temptation) will be published posthumously in September 2014.
Credit: Martin Disler, Ohne Titel. 1980, Foto: Galerie Kaufmann | Martin Disler, Ohne Titel. 1989, Foto: SIK- ISEA, Zürich