CURRENTS. DESIGN IN BERLIN

Currents. Design in Berlin is a new, 3-day community-based festival highlighting the wide range of the city’s vibrant design scene from the 10-12th of September. Design and interior studios, brands and manufacturers, galleries and design schools will open their showrooms, ateliers and workshops, presenting their work at around 60 locations across the city. From exhibitions to workshops, from receptions to talks, from studio visits to interventions, this festival will explore the dynamic design and interior scene of Berlin, including long nights at the Currents Bar at the Eternithaus in Berlin-Tiergarten.

Film Premiere of Eternity featuring Florentina Holzinger at Kino International

Image still from Eternity, by Susanne Regina Meures © Kino International

ETERNITY is a new art feature film by writer and director Susanne Regina Meures. As the globe unravels, a group of friends reunites for one final summer. Escaping a world shaped by war and a collapsing climate, they hit the road in search of something real, finding fleeting moments of hedonistic freedom under the burning sun. But as they try to escape reality, the past catches up with them. Set against the backdrop of a melting glacier, ETERNITY adapts Florentina Holzinger’s performance art for the silver screen to explore the defining question of our time: How did we end up on a dying planet?

SOFT POWER FESTIVAL — CULTURE GENERATES INFLUENCE

Forou Ghalaei, Pinky in the isle Underneath the Calm Streets of Iran, 2019

Tawna Cine, LLAKI, image still, 2025

Berni Searle, Profile,  installation view

Ushara, Performance for Triangle reshapes the O of my mouth,  by Anousha Payne. Photo Pablo Lauf © Sperling

Forough Alaei, Daughters of the Sea, 2019

‘Soft power’ is a term that emerged in the postwar geopolitical context and was later defined as influence based on attraction, exchange and the circulation of ideas, values and cultural expressions. In that vein, Anahita Sadighi founded Soft Power, a new trans-disciplinary festival and platform launching this September. Connecting contemporary art, music, performance and community radio while creating spaces for encounter, cultural exchange and shared experience, the festival will feature a main exhibition co-curated by María Inés Plaza Lazo, an ongoing radio programme curated by Refuge Worldwide, a 48-hour Sonnenraum dance floor, live performances, concerts, DJ sets, talks, workshops, communal meals and more, all happening at Haus der Visionäre.

GALLERY NIGHT BY GALLERY WEEKEND — EXTENDED PLAY

Wu Tsang, On our way to the general strike, 2026, installation view. Photo: Zac Riggleman / © Carnegie Museum of Art. Courtesy the artist and Isabella Bortolozzi, Berlin

Andreas Eriksson, Lump, 2026, acrylic, egg-oil-tempera and oil on canvas © Andreas Eriksson / VG Bild-Kunst, Bonn. Courtesy the artist and neugerriemschneider, Berlin

Walter Dahn, Vier für ein Ave Maria, 1982, dispersion on nettle cloth © Estate of Walter Dahn / VG Bild-Kunst, Bonn, 2026 Courtesy Sprüth Magers, Photo: Timo Ohler

Aki Inomata, Why Not Hand Over a ‘Shelter’ to Hermit Crabs? -Border, 2009–(ongoing)
. Courtesy of the artist and Carlier Gebauer Berlin/Madrid. Photo © Aki Inomata

Lin May Saeed, Pangolin, 2021 © Photo: Wolfgang Günzel

Gallery Weekend Berlin kicks things off with Gallery Night during Berlin Art Week. From established galleries to young programmes, international and Berlin-based artists present new work across 54 galleries throughout the city. Keep your eyes peeled for the Wu Tsang show at Galerie Isabella Bortolozzi showing two new film works. At alexander levy, find the photographic and sculptural works of Sinta Werner whose starting off point are architectural structures and modernist systems, while at Contemporary Fine Arts (CFA), you’ll find new paintings and sculptures by Leiko Ikemura that deal with questions of perception. Plan your tour here. 

Rare Books Berlin — International Fair for Books & Prints

Hockney, David; Spender, Stephen (Hg). Hockney’s Alphabet, Faber and Faber for the Aids Crisis Trust, London 1991. Courtesy Antiquariat Bernard Shapero, Rare Books Berlin.

Impressions, Copyright Valentina Donner.

Poster der Olympischen Spiele in München, 1972. Courtesy Antiquariat Bernard Shapero, Rare Books Berlin.

Miró, Joan; Tzara, Tristan. Parler Seul, Paris 1950. Courtesy Antiquariat Bernard Shapero, Rare Books Berlin.

Impressions, Copyright Valentina Donner.

Rare Books Berlin, International Fair for Books & Prints, is a chance to unearth formerly hidden gems of cultural history. The fair gathers an exceptional breadth of material: from early printed books, manuscripts and incunabula to autographs, rare graphics, artists’ books, photography and special collecting items, all housed in the Kronprinzenpalais. 

Not All Travellers Walk Roads — 36th Bienal de São Paulo migrates to Berlin

View of the performance by Manauara Clandestine during the 36th Bienal de São Paulo © Iza Guedes / Fundação Bienal de São Paulo.Detail of works by Gervane de Paula. Installation view, during the 36th Bienal de São Paulo © Levi Fanan / Fundação Bienal de São Paulo.

Detail of works by Gervane de Paula. Installation view, during the 36th Bienal de São Paulo © Levi Fanan / Fundação Bienal de São Paulo.

Detail of works by Chaïbia Talal. Installation view, during the 36th Bienal de São Paulo © Levi Fanan / Fundação Bienal de São Paulo.

With the exhibition Not All Travellers Walk Roads—Of Humanity as Practice, the 36th Bienal de São Paulo comes to Haus der Kulturen der Welt. Taking place in Germany for the very first time, the Berlin edition of one of the oldest and most influential biennials unfolds as a distinct constellation of artistic positions, including newly conceived, readapted, and site-specific works. Bringing together more than thirty international artists across a wide range of practices, this abridged Berlin edition of the 36th Bienal de São Paulo calls for joy, imagination, and dreaming not as escape, but as vital ways of conjugating humanity.

PROJECT PARTNERSHIP QUARTIER ICC RECEIVES RECOMMENDATION FOR THE REDEVELOPMENT OF BERLIN’S ICC

Städtebau Copyright © GRAFT GmbH, Max Dudler GmbH

Südeingang M11 Copyright © GRAFT GmbH, Max Dudler GmbH

Saal 2 Copyright © GRAFT GmbH, Max Dudler GmbH

Saal 1 Copyright © GRAFT GmbH, Max Dudler GmbH

Since 2014, the International Congress Center (ICC) in Berlin has been operating in preservation mode. To bring new life into the listed landmark and Berlin‘s icon and to create an internationally unique destination for arts, culture and the creative industries with a sustainable long-term perspective, the State of Berlin launched a Europe-wide ICC Concept Proposal Process on 25 November 2024. A decisive milestone has now been reached: an official recommendation has been issued in favour of the Project Partnership Quartier ICC which brings together leading companies and renowned experts from project development, urban planning, architecture, heritage conservation, arts and cultural management, engineering, construction and project management. Stay tuned!

Bas Smets adds a Water Garden to the Vitra Campus

Water Garden (Bas Smets) und Vitra Design Museum (Frank Gehry). © Vitra, Foto Julien Lanoo

Water Garden (Bas Smets) und Vitra Design Museum (Frank Gehry). © Vitra, Foto Julien Lanoo

Water Garden (Bas Smets) und Vitra Design Museum (Frank Gehry). © Vitra, Foto Julien Lanoo

The Water Garden forms part of a multi-year collaboration with Belgium landscape architect Bas Smets, aimed at making the Vitra Campus more climate-resilient. Situated in front of the Vitra Design Museum, it enters into a compelling dialogue with the building’s dynamic architecture. The pond features three sculptural fountains by Hella Jongerius, titled “The Three Graces”. 

Basel Social Club clocks in with its fifth edition — the Office

Alexa von Wehren & Ensemble, “öff öff aerial dance, Werk Nr. 115, documentation of the performance at Basel Social Club. Courtesy of Basel Social Club and the artist, photo: Silke Briel.

Alexia Framis, “The Walking Ceiling” (2018), documentation of the performance at Basel Social Club. Courtesy of the artist and Basel Social Club, photo: Silke Briel.

Beni Bischof, “Made on Earth by Humans” (2024), installation view. Courtesy of the artist and Basel Social Club, photo: Gina Folly.

Installation view, photography by Hannah Villliger. Courtesy of the artist and Basel Social Club, photo: Gina Folly.

ITEM IDEM, installation view. Courtesy of the artist and Basel Social Club, photo: Gina Folly.

Courtyard at Basel Social Club 2026. Courtesy: Basel Social Club, photo: Maria Fontenele Reis.

Once a symbol of efficiency and growth, the office today reflects shifting realities shaped by digitalization, remote work, and artificial intelligence. Basel Social Club engages this condition through exhibitions, performances, music, gastronomy, and informal encounters that explore questions of labor, time, productivity, and rest. The building remains continuously activated throughout the week, with artists responding directly to its architecture and atmosphere.

Verner Panton: Form, Colour, Space at the Vitra Schaudepot

Canteen of the Spiegel publishing house in Hamburg, 1969 © Verner Panton Design AGVerner Panton’s Flying Chairs, Multi-Level Lounger and seating furniture at the Cologne Furniture Fair, 1964 © Verner Panton Design AG

Verner Panton’s Flying Chairs, Multi-Level Lounger and seating furniture at the Cologne Furniture Fair, 1964 © Verner Panton Design AG

Verner Panton, 1993 © Verner Panton Design AG

He hung chairs from the ceiling and transformed interiors into colourful playgrounds; few designers have shaped design in the second half of the twentieth century as decisively as Verner Panton. To mark the 100th anniversary of the Danish designer’s birth, the Vitra Design Museum is presenting a comprehensive exhibition of his work at the Vitra Schaudepot. 

Pierre Huyghe at the Fondation Beyeler

Installation view “Pierre Huyghe”, Fondation Beyeler, Riehen/Basel, 2026 © Pierre Huyghe, represented by ProLitteris (CH) / ADAGP (FR) Photo: Ola Rindal

Installation view “Pierre Huyghe”, Fondation Beyeler, Riehen/Basel, 2026 © Pierre Huyghe, represented by ProLitteris (CH) / ADAGP (FR) Photo: Ola Rindal

Installation view “Pierre Huyghe”, Fondation Beyeler, Riehen/Basel, 2026 © Pierre Huyghe, represented by ProLitteris (CH) / ADAGP (FR) Photo: Ola Rindal

Unfolding like a living environment in constant transformation, artificial breathing organs, neural networks coming alive, echoing sounds and murky aquariums, the Fondation Beyeler has just opened a major new exhibition of Pierre Huyghe. The artist is renowned for his boundary-crossing works, where fiction and reality seamlessly merge. The exhibition invites visitors to explore Pierre Huyghe’s fascinating and uncertain world.

COBE — IN TRANSFORMATION

Museum Wegner, 2025. Credit: Cobe

Ragnarock Museum, 2016. Credit: Rasmus Hjortshøj

The Silo, 2017. Credit: Rasmus Hjortshøj

The Future Danish Parliament, 2024. Credit: Cobe

Installation view Cobe: In Transformation © Francisco Tirado

Installation view Cobe: In Transformation © Francisco Tirado

Opening night of Cobe: In Transformation © Francisco Tirado

Architecture is always a reflection of its time. It is embedded in economic systems, political priorities, cultural movements, and technological developments, and is shaped by available resources and the prevailing values of the moment while it is never limited to the present alone. Against this backdrop, Cobe presents In Transformation: 16 projects on the theme of transformation in the exhibition. The examples from two decades encompass a broad spectrum of scales and typologies. 

THE GERMAN PAVILION AT THE 61ST INTERNATIONAL ART EXHIBITION – LA BIENNALE DI VENEZIA PRESENTS RUIN

Photo by Andrea Rossetti

Photo by Jens Ziehe

Photo by Jens Ziehe

Photo by Andrea Rossetti

Photo by Andrea Rossetti

In Ruin, curated by Kathleen Reinhardt, Henrike Naumann and Sung Tieu explore both the ideological ruptures and material traces of post-reunification Germany. With formal vocabularies ranging from maximalist opulence to minimalist clarity, they examine the enduring legacy of a once divided Germany and the socio-political upheavals of the 1990s transformation period and beyond.

GALLERY WEEKEND BERLIN 2026 — A CITY IN BLOOM

Anne Duk Hee Jordan, Riders on the Storm, 2026, installation view at alexander levy, Berlin, courtesy of the artist and alexander levy, Berlin. Photo: Marcus Schneider 

Yuji Agematsu “Zip: 01-01-2024–12-31-2024,” 2024 (detail) mixed media in cigarette pack cellophane wrapper. Photo Reggie Shiobara. Courtesy of Yuji Agematsu and Galerie Buchholz

Adam Gordon, Untitled, 2026. Courtesy the artist and Galerie Isabella Bortolozzi, Berlin. Photo: Graysc

Stella Zhong, Stella??, 2025. Wood, oil paint, aqua-resin, sand, plaster, cloth, paper, foam, epoxy clay, wire, string, pom pom, bead. 79 x 166 x 138 cm

Installation view of Counter City at Galerie Neu. Photo: Stefan Korte. Courtesy of the artists and Galerie Neu, Berlin

Already in its 22nd edition, Gallery Weekend Berlin continues to reflect a city as multifaceted as ever. At the beginning of May, 50 galleries across 66 locations will open their doors, showcasing over 80 established and emerging artists from more than 30 countries. This year also sees the launch of Perspectives, a new sector featuring a rotating annual selection of galleries.

What’s going on? at the Mies van der Rohe Haus

Constantina Zavitsanos, Before this river becomes an ocean [Host], 2025. Courtesy the artist and Galerie Max Mayer, Berlin. Photo: Ingo Kniest.

Mies van der Rohe Haus, Berlin. Photo: René Müller.

Dora Budor, Nicotine Museum, 2018/2026, Work photo as part of The Uncanny House, Casa di Goethe, Rom, 2024. Courtesy the artist.

Oliver Tirré, Thought, 2015. Courtesy the artist.

What’s going on? is the opening exhibition of the program by Dennis Brzek as new director of the Mies van der Rohe Haus in Berlin. The group exhibition is showing both existing works and new pieces created in dialogue with the site. The works on display raise questions about time, absence, and personal histories, using both private and shared memories as their material.